Results
Private Views: Notes from Reno
In her third column, Gabriella Angeleti reports from the desert – where she visits the Nevada Museum of Art’s triennial Art + Environment Summit
A Turning Point for Reykjavík’s Art Scene
The city's art market reveals a misalignment between the perceived and actual value of artistic labour in Iceland.
The Artist: Gabrielle Goliath Refuses to Stay Silent
Elegy’s forthcoming presentation at Venice’s Chiesa di Sant’Antonin challenges a culture of censorship
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Artsy-Artnet Merger Sees Key Staffers Cut Loose. Was the Writing on the Wall?
A sweeping restructure and significant cuts to the editorial team have sent shockwaves through the art world
Notes from Kampala’s Fugitive Art Economy
For Uganda's artists, precarity is generative rather than a condition to overcome, writes Nantume Violet
Everybody Out! Striking at the Heart of the Artworld
A century since the 1926 United Kingdom general strike, threatening to withdraw their labour has had mixed results for artists
Introducing The Art Journal
Welcome to The Art Journal, a new, independent art market publication from Meta Media Group, edited by Tom Seymour
How Hurvin Anderson Conquered the Art Market
The Birmingham-born artist’s retrospective at Tate Britain confirms his place as one of Britain’s leading – and most expensive – painters
The Collector: Nicole Saikalis Bay Has a Global Vision for Milan’s Art Scene
The architect and patron has grown a personal collection into an arts foundation that extends her global outlook to the Milanese cultural scene
Irving Penn: The Fashion Photographer Who Became an Artist
Gagosian’s Joshua Chuang marks the moment Irving Penn’s photography turned from reproduction to object
The Collector: Marinko Sudac Champions the Legacy of Europe's Avant-Garde
The Croatian art collector on acquiring art as an intellectual exercise, his most controversial work and why 'neutral' collections cannot exist
Private Views: Lost in Translation
In her second dispatch, Gabriella Angeleti asks whether curatorial spectacle has been replaced by hollow, grandiose language
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