The Onassis Foundation unveils Onassis Mandra, a restored Belle Époque theatre in Athens, with Céleste Boursier-Mougenot’s immersive sound installation

As Austria prepares for 2028 elections, a presidential hopeful said he would return a contested Aztec object to Mexico

The Czech Republic’s first international art fair, Prague Contemporary, will hold its inaugural edition at the Industrial Palace in Výstaviště Praha at the end of April next year.

72 artists from around the world will take over Bangkok across temples, museums, cultural institutions and public spaces from 29 October 2026 to 28 February 2027.

The Van Gogh Museum has reached a settlement with the Dutch government over the financing of the museum’s renovation, set to start in late 2028.

Souraya Noujaim returns to the museum where she previously spent five years as its collections director.

Tang Contemporary’s Wong Chuk Hang space in Hong Kong has indefinitely shut following allegations of outstanding debts across its network

As the fair marks 200 years of photography, its programme spans historical work, environmental concerns and AI-generated images

The recently departed head of the UK Space Agency has been announced as the British Library’s new chief executive, as the institution emerges from a turbulent period and announces a new partnership with Netflix

 Far more than a home for Star Wars, George Lucas and Mellody Hobson’s new Los Angeles museum brings fine art, comics, illustration, photography and cinema together under the banner of ‘narrative art’

Frieze Week has perfected the optics of a buoyant market. Yet recent evidence suggests underlying issues for London dealers. Do the parties, dinners and openings demonstrate confidence – or just perform it?

The Art Basel and UBS survey suggests a youthquake: Gen Z collectors spend the most on average. But, as collectors buy less at auction and more directly from artists, galleries are feeling the squeeze. For Messy Business, Jeni Fulton reports

The Minor Attractions fair returns to London this October, bringing together independent cultural venues and projects at The Newman Hotel in Fitzrovia

Led by rarely seen works by Van Gogh and Cézanne, the November sale is being touted as a coup for Sotheby’s – and offers another test of how far exceptional collections can propel the auction market’s recovery

Admired by fellow artists but little known to wider audiences, Martha Diamond made New York’s skyline her own. Her first European solo exhibition, at Finland's Sara Hildén Art Museum, asks us to look beyond the cityscape

As this year’s Turner Prize arrives at Middlesbrough's MIMA, two of its four shortlisted artists are also on view at Thaddaeus Ropac in London. Their simultaneous exposure offers a test of what a nomination now does for an artist’s career and market

As Madrid’s contemporary art fair ESTAMPA opens tomorrow, Spanish galleries say they are being left at a growing competitive disadvantage. After strikes, protests and years of lobbying, frustration is growing

As private sales take a growing share of the art market, Sotheby’s is making them more visible, more theatrical and more closely tied to the luxury experience economy

Lichtenstein made Pop art look simple. It was easy to take his appropriation at face value; the rigour behind it was harder to see. As the Whitney in New York prepares a major retrospective, we ask what his work means in an age drowning in images

Artworld Agony Aunt Charlotte Jansen advises a disillusioned fair-goer on how to survive one of the busiest weeks in the art calendar

Artworld Agony Aunt Charlotte Jansen advises a panicked gallery assistant through the crucial steps of damage control after an artwork mishap

At Turkey’s annual art fair, talk of political uncertainty competes with lavish hospitality. Over a week of art and dinners, the politics of who is funding the fair is more conspicuous than anything in the booths. For Private Views, Gabriella Angeleti reports

Art world Agony Aunt Charlotte Jansen advises a gallery artist liaison struggling to balance her professional relationship and personal feelings for an artist she works with

Artworld Agony Aunt Charlotte Jansen advises an industry regular on disarming an omnipresent rival through flawless civility

Once dismissed as scandalous and disreputable at home, Yayoi Kusama returned to Japan an international star. Her transformation into a national icon reflects the power of foreign recognition, as well as Japan’s enduring conflicts with mental illness, sexuality and female autonomy

Art world Agony Aunt Charlotte Jansen offers solace to an art worker who fears she has lost the love for everything that surrounds art – and maybe the work itself

The American visual artist talks to The Art Journal about desire, intellectual property and the sometimes uneasy business of success.

For the opening of her commissioned installation at London’s Hayward Gallery, Swiss artist Renée Levi talks about making the work, her artistic influences and the importance of architecture in her practice

Parisian gallerist Almine Rech speaks on backing young artists, navigating the fluctuations of the art market and why art still needs to be seen in person.

Ahead of two group shows in and around Paris, the dissident French-Iranian artist Pooya Abbasian talks about his association with invasive plants, the deceptive truth of documentary and the visit to France that became fifteen years of exile

At her first solo museum exhibition in Leeds, Sundaram discusses the physical demands of her felt sculptures, the politics of cloth and why collaboration should not diminish her authorship

The Tunisian-born, Dubai-based collector Selim Bouafsoun talks access, patronage and the dangers of runaway prices – and explains why supporting artists means investing in the ecosystem around them

Ten years after opening in a former Berlin bunker, the private collection is expanding into a multidisciplinary “house” in partnership with Sara Puig. Désiré Feuerle explains what comes next

In his 38-years working for the Smithsonian museums, departing Secretary Lonnie Bunch, has led the Smithsonian through expansions and turbulent times, standing firm in the telling of America’s history