Amidst a diplomatic storm over Taiwan, the Gwangju Biennale returns with a sprawling 16th edition of contemporary art

A new 20-year partnership with Ethiopia’s heritage authority will investigate objects with incomplete provenance and establish a route for their return

The British Prime Minister has publicly cooled on his stance regarding the return of the Parthenon Marbles to Greece

The artist developed a body of work recognisable for its obsession with repetition

Following accusations of censorship, the participation of Taiwanese artists will now be named the Taiwan Pavilion rather than the ‘NTMoFA Pavilion’

The fourth edition of the biennial will explore the ‘Unknowns’, and will take place from June to September 2027

The Taiwanese participants as well as Taiwan’s Ministry of Culture have called the naming change an act of ‘political censorship’

The museum of Dansaekhwa master Park Seo-bo (1931–2023) is set to open to the public on 21 August, the artist's foundation has announced

Staff at the museum’s new East Storehouse have attacked museum management about access to water and toilets during shifts, while a wider dispute over pay and working conditions looks set to roll on through the summer

The rush into Seoul is over. As the market cools, the question is whether the Western art world ever really understood what it was buying into

The Green leader says Britain’s artists are in crisis. But if his proposed 1% tax on wealth above £10m drives collectors elsewhere, what would it mean for the galleries and artists he wants to support?

The Art Journal talks to Jacob Barnes, Minor Attractions’ co-founder, about doubling down as the art market struggles to recover

After decades fighting for recognition, Yayoi Kusama turned a deeply personal visual language into a global luxury product. Did her commercial triumph diminish her art?

Joannou, the eighty-six-year-old founder of the Athens-based DESTE Foundation for Contemporary Art, has been active in the Greek contemporary art scene since the 1980s. He tells George Nelson what’s changed and what’s happening now

Thirty-seven galleries, sixteen countries, €3,500 a booth and twelve prizes: for Messy Business, Jeni Fulton considers what Art-o-rama’s twentieth edition says about where the French market has gone

Gerhard Steidl’s financial difficulties prompted predictions of a wider collapse in art-book publishing. Interviews with publishers, editors and collectors suggest a different picture: not an industry in decline, but one undergoing a profound economic transformation

Artificial intelligence is playing a bigger role in artwork authentication, but how should AI results be weighed against good old human judgement?

Artworld Agony Aunt Charlotte Jansen answers a gallery employee whose boss is getting a little too comfortable in the office

Artworld Agony Aunt Charlotte Jansen answers a staffer whose gallery has been busy with some dodgy deals

Rediscovered decades after it was written in 1969, Indian Theatre: An Artistic Experiment in Progress reveals how performance became a vehicle for Native self-determination

Artworld Agony Aunt Charlotte Jansen answers a museum worker whose colleague is making them feel uncomfortable... because of how they smell

Artworld Agony Aunt Charlotte Jansen answers an artist wondering why their residency applications keep getting rejected – and how to nail the next one

Westminster Council wants licensed venues to favour seats over standing drinkers. But in Mayfair, where artworld relationships are built amid the din of crowded openings, what might be lost?

Artworld Agony Aunt Charlotte Jansen answers an artist whose peer seems to be taking more than just inspiration from their work

Public funding remains essential, but Britain’s leading museums are becoming increasingly reliant on patron schemes and private philanthropy to sustain exhibitions, collections and public access

In a restored medieval church in Arles, the French artist has created a foundation to house his work, archive and artistic relationships – and to shape what survives him

Following the lives of two cousins growing up in the Argentine countryside, first through photography and now with a prize-winning feature film, Alessandra Sanguinetti captures childhood between documentary and fairytale

At his latest exhibition, the Caracas-born, Brooklyn-raised, London-based artist explains why he refuses to make what the market wants

The collector, entrepreneur and investor tells The Art Journal why joy-led acquisitions can be just as valuable as those motivated by monetary returns

As her adopted country wages war against the nation of her birth, Shirin Neshat argues that art should complicate political narratives rather than reinforce them. She reflects on exile, identity, war and the enduring value of ambiguity

Over six decades, the American artist used found objects to confront racism, memory and cultural identity, influencing generations of contemporary artists

The young collector’s first purchase cost 30 pounds, and now hangs alongside work by the likes of Beryl Cook, Grayson Perry and Robert Longo

Jessica Morgan will succeed Maria Balshaw as Tate director in January 2027, returning from New York’s Dia Art Foundation to lead Britain’s largest museum network through a period of financial constraint and changing visitor habits