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Help! I Hate... Networking

The Art Journal's resident art world Agony Aunt Charlotte Jansen answers your questions about access, gatekeeping, and sticky social problems

Charlotte Jansen11 May, 2026

Market

A long row of brick arches supported by white stone columns spans across a water-filled dock at the Venetian Arsenale under a clear blue sky.

Art and Loathing in La Biennale

The presence of war-mongering nations, protests, jury resignations and a right-wing boss accused of aiding Russia’s participation suggest it might be hard to see the art through the politics next week

George Nelson
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News

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Opinion

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A wide shot shows the white, pillared facade of the Central Pavilion at the Venice Biennale, with the words "la Biennale" displayed above the entrance as people walk through the sunny courtyard.

Private Views: Lost in Translation

In her second dispatch, Gabriella Angeleti asks whether curatorial spectacle has been replaced by hollow, grandiose language

Gabriella Angeleti

The Ghost of Franco

Fifty years after the dictator’s death, Spain’s artists and museums are confronting a legacy that refuses to stay in the past

Alexandra F. Coego
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Features

Help! I Hate... Networking

The Art Journal's resident art world Agony Aunt Charlotte Jansen answers your questions about access, gatekeeping, and sticky social problems

Charlotte Jansen
 An abstract installation featuring large, translucent sheets of photographic film in shades of amber, navy, and charcoal draped over metal supports to create layered, sculptural folds.

Art with a Designer Label

Will the shifting culture of commercial patronage in the arts cause the 61st Venice Biennale to look materially different?

Emily Burke
Image of pink carpeted and wallpapered 'New Humans' exhibition at the New Museum, showing a series of anthropomorphic sculptures.

The New Museum: Back to the Future

The New York institution’s director talks about the promise of tomorrow, getting past the ‘stupor’ of the masterpiece and rethinking the art museum


Jeni Fulton

Do Only Women Get to Suffer in Public?

Across contemporary art, depictions of cancer are strikingly gendered: female and queer artists are praised for public candour, while male illness is more often muted or mythologised. Why, in an age of self-disclosure, does male suffering still struggle to be seen?

Ella Lewis-Williams

Trust, After the Photograph

At the Moody Center for the Arts, Imaging After Photography argues that the key question is no longer whether images are real, but how they are produced – and why we might still believe them

Simon Bainbridge
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Places

Palermo's Palazzo Forcella De Sata, the future home of Hauser and Wirth, a grand palazzo foregrounded by trees.

Can Palermo’s Art Market Fulfil its Potential?

Palermo experienced a surge in tourism in the 2010s on the back of the Sicilian capital’s rehabilitation as a cultural capital. Now, as the city is once again reshaped by outside forces, can its nascent art market establish a state of self-dependence?

Izabela Anna Rzeczkowska-Moren

Hong Kong, Beyond the Fair

Angelle Siyang-Li outlines a route through Hong Kong away from Art Basel, from the best local restaurants to the galleries, neighbourhoods and escapes that shape the city's cultural life

Tom Seymour

Gibellina and the Limits of Art-Led Regeneration

Rebuilt by artists after the 1968 earthquake, Sicily's Gibellina is once again betting its future on culture. A new state-backed art capital programme asks whether funding and programming can succeed where politics failed

Stephanie Gavan

Profiles