Internal documents obtained by The Washington Post warn that the Kennedy Center faces “fiscal collapse” within weeks, after ticket sales and fundraising plunged amid upheaval following Donald Trump’s takeover

The Hungarian government's decision to cancel construction of the New National Gallery has ended a major European cultural initiative, raising questions over its future.

Qatar Museums will begin the creation of the Doha Pavilion, a new permanent structure to display the works of German artist Gerhard Richter.

American artist Lucien Smith, who rose rapidly to prominence in the 2010s and became a fixture of New York’s downtown art scene, has died aged 37.

Jenny Holzer and Andy Goldsworthy are two of the five recipients of the 2026 Praemium Imperiale, the Japan Art Association’s prestigious international arts award.

The Faro Santander Museum opened its doors this week on the northern coast of Spain.

The sculptor Geles Cabrera, best known for being Mexico’s first professional female sculptor,  has passed away age 100

Amidst a diplomatic storm over Taiwan, the Gwangju Biennale returns with a sprawling 16th edition of contemporary art

A new 20-year partnership with Ethiopia’s heritage authority will investigate objects with incomplete provenance and establish a route for their return

The British Prime Minister has publicly cooled on his stance regarding the return of the Parthenon Marbles to Greece

Big-money buyers may be back at auction, but the houses still need exceptional material to bring them to the room - as Roy Lichtenstein and Count Duerckheim demonstrate

Ronnie Walker spent 20 years investigating art theft and fraud. Now he wants artists to maintain the paper trail investigators often find missing

The rush into Seoul is over. As the market cools, the question is whether the Western art world ever really understood what it was buying into

The Green leader says Britain’s artists are in crisis. But if his proposed 1% tax on wealth above £10m drives collectors elsewhere, what would it mean for the galleries and artists he wants to support?

The Art Journal talks to Jacob Barnes, Minor Attractions’ co-founder, about doubling down as the art market struggles to recover

After decades fighting for recognition, Yayoi Kusama turned a deeply personal visual language into a global luxury product. Did her commercial triumph diminish her art?

Joannou, the eighty-six-year-old founder of the Athens-based DESTE Foundation for Contemporary Art, has been active in the Greek contemporary art scene since the 1980s. He tells George Nelson what’s changed and what’s happening now

Thirty-seven galleries, sixteen countries, €3,500 a booth and twelve prizes: for Messy Business, Jeni Fulton considers what Art-o-rama’s twentieth edition says about where the French market has gone

Art world Agony Aunt Charlotte Jansen offers solace to an art worker who fears she has lost the love for everything that surrounds art – and maybe the work itself

Artworld Agony Aunt Charlotte Jansen answers a gallery employee whose boss is getting a little too comfortable in the office

Artworld Agony Aunt Charlotte Jansen answers a staffer whose gallery has been busy with some dodgy deals

Rediscovered decades after it was written in 1969, Indian Theatre: An Artistic Experiment in Progress reveals how performance became a vehicle for Native self-determination

Artworld Agony Aunt Charlotte Jansen answers a museum worker whose colleague is making them feel uncomfortable... because of how they smell

Artworld Agony Aunt Charlotte Jansen answers an artist wondering why their residency applications keep getting rejected – and how to nail the next one

Westminster Council wants licensed venues to favour seats over standing drinkers. But in Mayfair, where artworld relationships are built amid the din of crowded openings, what might be lost?

Artworld Agony Aunt Charlotte Jansen answers an artist whose peer seems to be taking more than just inspiration from their work

Ten years after opening in a former Berlin bunker, the private collection is expanding into a multidisciplinary “house”. Désiré Feuerles explain what comes next.

In his 38-years working for the Smithsonian museums, departing Secretary Lonnie Bunch, has led the Smithsonian through expansions and turbulent times, standing firm in the telling of America’s history

For his first UK solo exhibition since 2015, the Kashmir-born painter draws on childhood memories, Kashmiriyat philosophy, Shakespeare and a world in turmoil to consider what the darkness can reveal

In a restored medieval church in Arles, the French artist has created a foundation to house his work, archive and artistic relationships – and to shape what survives him

Following the lives of two cousins growing up in the Argentine countryside, first through photography and now with a prize-winning feature film, Alessandra Sanguinetti captures childhood between documentary and fairytale

At his latest exhibition, the Caracas-born, Brooklyn-raised, London-based artist explains why he refuses to make what the market wants

The collector, entrepreneur and investor tells The Art Journal why joy-led acquisitions can be just as valuable as those motivated by monetary returns

As her adopted country wages war against the nation of her birth, Shirin Neshat argues that art should complicate political narratives rather than reinforce them. She reflects on exile, identity, war and the enduring value of ambiguity