
Help! I Hate... Networking
The Art Journal's resident art world Agony Aunt Charlotte Jansen answers your questions about access, gatekeeping, and sticky social problems
Venice Biennale: In Minor Keys Needs Major Work
The 61st edition of the biennale reflects the terminal insularity of the contemporary art world
Introducing The Art Journal
A new, independent art market publication from Meta Media Group
Market

Ukraine at the Venice Biennale: International Acclaim Amid Cultural Destruction
The country’s artists enter this year’s Biennale with unprecedented global attention, even as war continues to reshape artistic production, identity and survival

Art and Loathing in La Biennale
The presence of war-mongering nations, protests, jury resignations and a right-wing boss accused of aiding Russia’s participation suggest it might be hard to see the art through the politics next week

Auction Houses Under Fire for Selling Works Linked to Scandal
An open letter criticises Stanley’s in Brussels and Drouot in Paris for selling heavily disputed works attributed to Russian and Ukrainian modernists
%2520and%2520Andrew%2520Wolff%2520(right).png%3F2026-04-24T12%3A05%3A58.546Z&w=3840&q=100)
Artsy-Artnet Merger Sees Key Staffers Cut Loose. Was the Writing on the Wall?
A sweeping restructure and significant cuts to Artnet's editorial team have sent shockwaves through the art world

TEFAF Maastricht 2026: A ‘Closed’ Chapter for the European Antiquities Market?
Dealers at TEFAF 2026 report increasing constraints on the antiquities trade following the recent implementation of EU cultural heritage regulations
News

Artists Withdraw From Venice Biennale Awards as Protests Over Israel and Russia Intensify
More than 50 artists in the main exhibition and participants from national pavilions have declined consideration for this year’s ‘Visitor Lion’ prizes amid widening disputes over the inclusion of Israel and Russia

More than 12,000 US museums say ageing buildings threaten collections
A federal report finds widespread deferred maintenance across the US museum sector, with institutions citing rising repair costs, accessibility barriers and limited public funding for infrastructure.

Kader Attia to Curate the Seventh Kochi-Muziris Biennale
Kader Attia will curate the seventh edition of the Kochi-Muziris Biennale, which will open in December 2027

Georg Baselitz, Painter to Stage Solo in Venice, 1938–2026
The painter, sculptor and printmaker Georg Baselitz has died, aged 88

Sotheby’s to Sell the Most Valuable Collection in London
In June, the British billionaire Joe Lewis will sell a collection encompassing works by the likes of Gustav Klimt, Henri Matisse and Lucian Freud

Venice Biennale 2026 International Jury Resigns, Competition Criteria changes
The international jury for the 61st Venice Biennale has resigned ahead of the exhibition’s opening on 9 May

Stephen Friedman Gallery’s £7.8m Debt Encompasses Artists and Suppliers
Newly filed documents reveal further details about the finances of the gallery, which closed in February

Hedwig Fijen Steps Down as Manifesta’s Founding Director
Hedwig Fijen, founding director of Manifesta, will step down on 5 October, the nomadic biennial has announced

Artists Announced for 2026 Edition of Converge 45
The Portland-based triennial Converge 45 has announced its list of participating artists for the 2026 edition, scheduled to run from 27 – 30 August
Opinion

Venice Biennale: In Minor Keys Needs Major Work
The 61st edition of the biennale reflects the terminal insularity of the contemporary art world

Does the Turner Prize Still Move the Market?
The 2026 shortlist is notably light on market power, signalling an art prize that no longer converts reputation into instant value. Is this welcome?

Everybody Out! Striking at the Heart of the Artworld
A century after the 1926 United Kingdom general strike, threats by artists to withdraw their labour have produced mixed results

Private Views: Lost in Translation
In her second dispatch, Gabriella Angeleti asks whether curatorial spectacle has been replaced by hollow, grandiose language

Private Views: Champagne Socialism at the Whitney Art Party
In the first dispatch from a new column on the New York art scene, the politics of socialism, Gaza and art-world patronage collide on the dancefloor at the Whitney’s booze-soaked fundraiser

The Ghost of Franco
Fifty years after the dictator’s death, Spain’s artists and museums are confronting a legacy that refuses to stay in the past

AIDS Is Not Over. Why Does Its Art Feel So Historical?
HIV is not a closed chapter, yet AIDS-related art is increasingly treated as one. As institutions and markets embrace this work, what is lost when urgency becomes history?
Features
Help! I Hate... Networking
The Art Journal's resident art world Agony Aunt Charlotte Jansen answers your questions about access, gatekeeping, and sticky social problems
Don't Mess With Me: Brazil’s Pavilion Warns Against Authoritarianism
Brazil's Venice Biennale show interrogates the myth of ‘racial democracy’ in South America’s largest nation, taking its title from a symbolic plant known for its beauty, toxicity and protective powers.
Art with a Designer Label
Will the shifting culture of commercial patronage in the arts cause the 61st Venice Biennale to look materially different?
How Hurvin Anderson Conquered the Art Market
The Birmingham-born artist’s retrospective at Tate Britain confirms his place as one of Britain’s leading – and most expensive – painters
Irving Penn: The Fashion Photographer Who Became an Artist
Gagosian’s Joshua Chuang marks the moment Penn’s photography turned from reproduction to object
The New Museum: Back to the Future
The New York institution’s director talks about the promise of tomorrow, getting past the ‘stupor’ of the masterpiece and rethinking the art museum
Do Only Women Get to Suffer in Public?
Across contemporary art, depictions of cancer are strikingly gendered: female and queer artists are praised for public candour, while male illness is more often muted or mythologised. Why, in an age of self-disclosure, does male suffering still struggle to be seen?
Trust, After the Photograph
At the Moody Center for the Arts, Imaging After Photography argues that the key question is no longer whether images are real, but how they are produced – and why we might still believe them
Places
A Turning Point for Reykjavík’s Art Scene
The city's art market reveals a misalignment between the perceived and actual value of artistic labour in Iceland
Notes from Kampala’s Fugitive Art Economy
For Uganda’s artists, precarity is generative rather than a condition to overcome
Is Belgrade’s Art Market an Ornament for Urban Rebranding?
A cluster of new galleries has emerged in the Serbian capital, despite deep-seated structural problems and concerns of an ‘urban and political facelift’
After a Landslide Victory, Will Sanae Takaichi’s Election Reshape Japan’s Artworld?
The unlikely mandate of a new prime minister raises pressing questions about the future of Japan’s art ecosystem, both domestically and internationally
Can Palermo’s Art Market Fulfil its Potential?
Palermo experienced a surge in tourism in the 2010s on the back of the Sicilian capital’s rehabilitation as a cultural capital. Now, as the city is once again reshaped by outside forces, can its nascent art market establish a state of self-dependence?
Hong Kong, Beyond the Fair
Angelle Siyang-Li outlines a route through Hong Kong away from Art Basel, from the best local restaurants to the galleries, neighbourhoods and escapes that shape the city's cultural life
Liquidity is Not Permanence: Lagos and the Limits of Market Infrastructure
Despite a growing local commercial scene and a major retrospective of Nigerian Modernism at Tate in London, Nigeria's largest city has yet to prove the durability of its art market
Gibellina and the Limits of Art-Led Regeneration
Rebuilt by artists after the 1968 earthquake, Sicily's Gibellina is once again betting its future on culture. A new state-backed art capital programme asks whether funding and programming can succeed where politics failed
Profiles

The Painter: Merike Estna at the Estonia Pavilion
Representing her country at the Venice Biennale, the artist has created a monument to the demands of maintenance, temporality and parenthood

The Artist: Gabrielle Goliath Refuses to Stay Silent
Following the cancellation of the artist’s South Africa Pavilion, her installation’s forthcoming presentation at Venice’s Chiesa di Sant’Antonin challenges a culture of censorship

The Collector: Nicole Saikalis Bay Has a Global Vision for Milan’s Art Scene
The architect and patron has grown a personal collection into an arts foundation that extends her global outlook to the Milanese cultural scene

The Collector: Marinko Sudac Champions the Legacy of Europe's Avant-Garde
The Croatian art collector on acquiring art as an intellectual exercise, his most controversial work and why 'neutral' collections cannot exist

The Photographer: Was Martin Parr Just Taking the Piss?
Behind the ice creams, leisure parks and plastic excess lay a photographer who turned consumer culture back on itself – and refused to play the art market’s scarcity game









.jpg%3F2026-04-24T18%3A02%3A41.572Z&w=3840&q=100)



.jpg%3F2026-03-11T14%3A19%3A37.350Z&w=3840&q=100)