The Art Journal

Art Basel Hong Kong to Introduce New ‘Echoes’ Sector as 2026 Edition Appoints First Fully Asia-Based Curatorial Team

The fair will launch a new section focused on recent artistic production while expanding digital and institutional programmes across Hong Kong

Tom Seymour

Art Basel’s Vincenzo de Bellis on Neutrality, Risk and Evolution

New artistic director says the fair “does not take any position” - yet its sector design, buyer strategy and global expansion actively shape the art market ecosystem

Tom Seymour

Trust, After the Photograph

At the Moody Center for the Arts, Imaging After Photography argues that the key question is no longer whether images are real, but how they are produced – and why we might still believe them

Simon Bainbridge

Singapore’s Art Market Is Built on Policy, Not Hype

Structural factors including tax design, regulatory stability and wealth concentration are reshaping Singapore’s role as a regional art-market hub

Tom Seymour

After the Avatar: Tilly Norwood and the Representation Market

An AI platform, designed to be iterated, refined and redeployed across media, has been signed by a major Hollywood agency - what does this mean for the art market?

Tom Seymour

Making Room for Milton Avery

Sidelined by his peers, Milton Avery is being recast as a model of modernism – but how is the market responding?

Matthew Holman

Art Basel Hong Kong to Introduce New ‘Echoes’ Sector as 2026 Edition Appoints First Fully Asia-Based Curatorial Team

The fair will launch a new section focused on recent artistic production while expanding digital and institutional programmes across Hong Kong

Tom Seymour

Art Basel’s Vincenzo de Bellis on Neutrality, Risk and Evolution

New artistic director says the fair “does not take any position” - yet its sector design, buyer strategy and global expansion actively shape the art market ecosystem

Tom Seymour

Trust, After the Photograph

At the Moody Center for the Arts, Imaging After Photography argues that the key question is no longer whether images are real, but how they are produced – and why we might still believe them

Simon Bainbridge

Singapore’s Art Market Is Built on Policy, Not Hype

Structural factors including tax design, regulatory stability and wealth concentration are reshaping Singapore’s role as a regional art-market hub

Tom Seymour

After the Avatar: Tilly Norwood and the Representation Market

An AI platform, designed to be iterated, refined and redeployed across media, has been signed by a major Hollywood agency - what does this mean for the art market?

Tom Seymour

Making Room for Milton Avery

Sidelined by his peers, Milton Avery is being recast as a model of modernism – but how is the market responding?

Matthew Holman