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The radical Viennese artist became one of postwar Europe’s most influential feminist practitioners through photography, performances and films that confronted spectatorship, sexuality and power

Representing her country at the Venice Biennale, the artist has created a monument to the demands of maintenance, temporality and parenthood

Following the cancellation of the artist’s South Africa Pavilion, her installation’s forthcoming presentation at Venice’s Chiesa di Sant’Antonin challenges a culture of censorship

The architect and patron has grown a personal collection into an arts foundation that extends her global outlook to the Milanese cultural scene

The Croatian art collector on acquiring art as an intellectual exercise, his most controversial work and why 'neutral' collections cannot exist