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Bayeux Tapestry Crosses Channel for First Time Since the 11th Century

The state-owned French embroidery has arrived at the British Museum in London ahead of a year-long exhibition that has already generated record advance ticket sales.

The Art Journal10 July, 2026
The tapestry will go on show in the Sainsbury Exhibitions Gallery of the British Museum until July 2027. Irina Schmidt via Adobe Stock

The tapestry will go on show in the Sainsbury Exhibitions Gallery of the British Museum until July 2027. Irina Schmidt via Adobe Stock

The Bayeux Tapestry has arrived at the British Museum, returning to England for the first time in nearly 1,000 years ahead of its public display this September.

British Museum director Nicholas Cullinan announced the tapestry's arrival on 10 July, confirming that the 11th-century embroidery had crossed the Channel for the first time since it was created in the 1070s.

The approximately 70m-long work travelled overnight from a secure location in northern France by lorry through the Channel Tunnel before arriving at the museum in the early hours. According to the British Museum, the tapestry was transported in a climate-controlled crate housed within a shock-absorbing outer frame, while the Metropolitan Police Service and Kent Police escorted it from Folkestone to London.

Depicting the Norman conquest of England and the Battle of Hastings in 1066, the tapestry will be displayed in the museum's Sainsbury Exhibitions Gallery from 10 September 2026 until July 2027, during the renovation of the Bayeux Tapestry Museum in Normandy. It will be presented horizontally for the first time.

Owned by the French state, the tapestry has been lent to the British Museum under an agreement negotiated between the French and UK governments. Writing in Le Monde, Cullinan described the loan as "an act that reaches beyond diplomacy", calling it "a gesture of confidence, of friendship and, above all, of trust".

To mark the arrival, the British Museum projected an image of the tapestry and the word merci onto the White Cliffs of Dover. The museum said advance bookings generated more than £2.5m in ticket sales on the exhibition's first day, its highest single-day total on record.

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