
The Curious AI Case of a Kirchner Painting in Limbo
Artificial intelligence is playing a bigger role in artwork authentication, but how should AI results be weighed against good old human judgement?
Messy Business: Enter the Broker
Lost artworks, forgotten wallets and rising prices: as digital artists’ careers ramp up, new ways of buying art emerge
The Forgotten Manifesto that Reshaped Native Performance Art
Rediscovered decades after it was written in 1969, Indian Theatre: An Artistic Experiment in Progress reveals how performance became a vehicle for Native self-determination
News

Gwangju Biennale accused of censoring pavilion title
The Taiwanese participants as well as Taiwan’s Ministry of Culture have called the naming change an act of ‘political censorship’

Park Seo-Bo Museum Opens in Seoul
The museum of Dansaekhwa master Park Seo-bo (1931–2023) is set to open to the public on 21 August, the artist's foundation has announced

Brett Littman named director of MCA San Diego
Littman was formerly deputy director of MoMA PS1, executive director at the Drawing Center and director of the Noguchi Museum

V&A Workers Set to Strike Despite Hydration Break Concession
Staff at the museum’s new East Storehouse have attacked museum management about access to water and toilets during shifts, while a wider dispute over pay and working conditions looks set to roll on through the summer
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ICOM-US Backs Smithsonian Against Trump Pressure
ICOM-US has joined the American Alliance of Museums in defending the Smithsonian, weeks after its parent body strengthened its rules on museum independence

Aperture Reveals Programme for New Permanent New York Home
The photography publisher will open its 10,000 sq ft Upper West Side headquarters in September, four years after announcing plans for the permanent space

Elvira Dyangani Ose to Lead Zeitz MOCAA After Koyo Kouoh
The former MACBA director will take charge of the Cape Town museum’s artistic programme as it enters its first new chapter since the death of Koyo Kouoh

Sid Motion Gallery to Close After Ten Years in London
The South Bermondsey gallery will close this autumn, with founder Sid Motion saying its financial position no longer allows it to support its artists

Valerie Hillings to Lead Guggenheim Abu Dhabi
The North Carolina Museum of Art director returns to the project she helped shape for almost a decade ahead of the Guggenheim Abu Dhabi's opening in December

Francisco Correa Cordero, Founder of Lubov, Dies
The Mexico City-born dealer founded New York gallery Lubov in 2016, building a reputation for championing emerging artists and experimental practices
Market

The Curious AI Case of a Kirchner Painting in Limbo
Artificial intelligence is playing a bigger role in artwork authentication, but how should AI results be weighed against good old human judgement?

Messy Business: Enter the Broker
Lost artworks, forgotten wallets and rising prices: as digital artists’ careers ramp up, new ways of buying art emerge

If Sid Motion Couldn’t Make It Work, Which Galleries Can?
Sid Motion appeared to do everything right. Yet it joins a growing number of highly regarded galleries closing or contracting. If the sector’s success stories can’t make the economics work, what does that mean for everyone else?

Trump’s Tariffs: Art Is Exempt, Artists Are Definitely Not
The Trump administration has largely spared artworks and antiques from its latest tariff regime. Yet artists, galleries and museums will still feel the effects. Here's six ways the new trade policy will reconfigure the artworld as a whole

Can Steidl, the Master Art-Book Printer, Survive?
When news broke that Steidl Verlag had entered insolvency proceedings, many assumed the world's most celebrated art-book publisher was collapsing. The reality is more complex: revealing a business struggling with liquidity, succession and the preservation of its unique printing assets

How Britain's Creative Economy Could Shape Its AI Future
As the UK's new government reshapes its AI strategy, figures across the visual arts argue Britain’s advantage lies in its creative economy, if ministers invest in the cultural infrastructure needed to sustain it

Inside the Networks Driving the Artworld’s Gender Gap
A major new study suggests the barriers facing women artists are embedded in the museums, galleries and institutional relationships that shape artistic careers, arguing that access to influential networks remains a key driver of long-term market success

The New Auction House: Where Luxury Rivals Fine Art
Blockbuster art sales drove record first-half auction results, but luxury, finance, hospitality and private sales are increasingly reshaping the auction house business model
Opinion

The Forgotten Manifesto that Reshaped Native Performance Art
Rediscovered decades after it was written in 1969, Indian Theatre: An Artistic Experiment in Progress reveals how performance became a vehicle for Native self-determination

Help I Hate…Their Body Odour
Artworld Agony Aunt Charlotte Jansen answers a museum worker whose colleague is making them feel uncomfortable... because of how they smell

Help! I Hate My... Application
Artworld Agony Aunt Charlotte Jansen answers an artist wondering why their residency applications keep getting rejected – and how to nail the next one

If London Bans Vertical Drinking, What Happens to the Art Opening?
Westminster Council wants licensed venues to favour seats over standing drinkers. But in Mayfair, where artworld relationships are built amid the din of crowded openings, what might be lost?

Help! I Hate… My Copycat
Artworld Agony Aunt Charlotte Jansen answers an artist whose peer seems to be taking more than just inspiration from their work

The Growing Power of Museum Patrons
Public funding remains essential, but Britain’s leading museums are becoming increasingly reliant on patron schemes and private philanthropy to sustain exhibitions, collections and public access

The Artworld Runs on Burnout. Can It Change?
Passion has long sustained the arts. But as low pay, precarious work and constant visibility collide, many art workers are asking whether the industry is built to exhaust the people who keep it running

Seven Big Issues Awaiting Jessica Morgan at Tate
Jessica Morgan arrives at Tate with an enviable reputation but an overflowing in-tray. From rebuilding public confidence to sharpening the museum's identity, these are the seven issues that could determine the success of her leadership
Features
The Risks of Exhibiting Anti-War Art at the Venice Biennale
A pavilion bringing together Russian and Ukrainian artists opposing war and repression opened in Venice under police protection. An anonymous incident inside the exhibition showed why concerns over security were difficult to ignore
Hannah Barry Gallery: From Peckham to Patmos
The London gallery will stage the late Norman Hyams’ first international exhibition on the Greek island that inspired his final paintings, marking the start of a new site-responsive programme beyond the UK
The Hidden Crisis Inside Britain’s Museums
A major new report argues that shrinking budgets and commercial pressures have left museum storage at breaking point, threatening the long-term care of Britain’s collections
On Charles Ross’s Star Axis and Entering the Earth to Reach the Stars
After decades of myth and mystery, a monumental celestial observatory is finally nearing completion – but who will actually see it? Gabriella Angeleti reports for her column ‘Private Views’
Can Andy Burnham Secure the Return of the Parthenon Marbles?
For the first time, a British prime minister has publicly backed returning the Parthenon Marbles to Greece. But Andy Burnham’s historic break with political orthodoxy may prove easier to declare than deliver. Can he break the deadlock?
Should Museums Have a Duty of Candour?
As Andy Burnham pledges to implement the long-awaited Hillsborough Law, Joe Ware asks: what could a legal responsibility to tell the truth mean for arts institutions?
Can Art Cost You Asylum? Ask Pyotr Pavlensky
The Russian performance artist argues that France is seeking to strip his refugee status for the same politically charged practice that forced him to flee Russia
Platform Dalí Extends the Artist’s Legacy Through Art and Science
The programme’s success depends less on the rehabilitation of Dalí’s controversial history than allowing contemporary artists to complicate it
Places
Siena Puts Teodora Axente’s Madonna on Trial
The Romanian artist was commissioned to paint the Palio’s sacred banner. A standing ovation quickly gave way to controversy over her commanding depiction of the Virgin
Art in a Gilded Peak: the Aspen Festival for the One Percent
At the second edition of the Aspen Art Museum’s AIR festival, ambitious performances and pointed critiques of class and inequality unfolded to a select audience of extraordinary wealth
On an Ancient Hilltop, a Biennial Takes Root
Set among monasteries, archaeological sites and former prisons in Turkey’s southeastern borderlands, the Mardin Biennial is testing whether contemporary art can leave a legacy beyond an exhibition
In Corsica, a Biennale Finds Politics on the Dancefloor
From deserted nightclubs to former military barracks, Nimu Dormi examines how celebration has shaped the island's social and political identity
How Ghana’s Artists Built Their Own Ecosystem
From studios and galleries to residencies, artists have built the infrastructure sustaining Ghana’s flourishing contemporary art scene, stepping in where public support has failed
What Happened to the Glasgow Art Market?
Glasgow has built an international reputation without relying on collectors or commercial galleries. As artists face rising rents and dwindling public support, that enviable model is coming under serious strain
Can Cork Build an Art Market to Match Its Cultural Ambitions?
Artists, galleries and institutions have laid the foundations for a thriving cultural scene. The next challenge is persuading Cork's wealth to invest closer to home
Manila Beyond Institutional Capital
In Manila, the Philippines, the market ecology will simply collapse without the private sector due to a lack of sustainable public institution support
Profiles

Alvaro Barrington Wants You to Stop Playing It Safe
At his latest exhibition, the Caracas-born, Brooklyn-raised, London-based artist explains why he refuses to make what the market wants

The Next-Gen Collectors: Linda Du
The collector, entrepreneur and investor tells The Art Journal why joy-led acquisitions can be just as valuable as those motivated by monetary returns

The Artist: Shirin Neshat Has No Time for Certainty
As her adopted country wages war against the nation of her birth, Shirin Neshat argues that art should complicate political narratives rather than reinforce them. She reflects on exile, identity, war and the enduring value of ambiguity

Betye Saar, Assemblage Pioneer, Dies at 99
Over six decades, the American artist used found objects to confront racism, memory and cultural identity, influencing generations of contemporary artists

The Next-Gen Collectors: Lucy Alice Sansom
The young collector’s first purchase cost 30 pounds, and now hangs alongside work by the likes of Beryl Cook, Grayson Perry and Robert Longo

The Director: Jessica Morgan Takes on Tate Turnaround
Jessica Morgan will succeed Maria Balshaw as Tate director in January 2027, returning from New York’s Dia Art Foundation to lead Britain’s largest museum network through a period of financial constraint and changing visitor habits

The Artist: Lap-See Lam’s Shadow Worlds
Drawing on the story of her family’s Chinese restaurant in Stockholm, Lap-See Lam’s ghostly installations reflect on how rising anti-immigration sentiment is reshaping contemporary Sweden

In Conversation: Park Chan-wook
The Long Read: As his photography makes its European debut in Arles, Park Chan-wook reflects on the childhood lessons and defining moments that shaped one of contemporary cinema's most singular visual languages

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