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An installation view of a bright contemporary art gallery with wooden floors and white walls, featuring a green draped sculpture on a circular base in the center surrounded by various abstract paintings, a video screen on the floor, and a small green ceramic sculpture on a shelf.

How Accessible is the Commercial Art Market for Disabled Artists?

Recognition for disabled artists in the public sector has increased in recent years, but access barriers remain in the commercial gallery world

Jamila Prowse

Miet Warlop, Belgium Pavilion, 61st Venice Biennale. Photo: © Reinout Hiel. Courtesy the artist and Belgium Pavilion

Performance Art: The Last Bastion of an Artworld Beyond the Market?

Timed-based and live art features heavily across this year's Venice Biennale. Can the public appetite for spectacle translate to market success?

Ella Lewis-Williams

Zofia Rydet, From the Sociological Record, Lubelskie, 1978-1990, silver-gelatin print, 23,8 x 30,3 cm. Courtesy Zofia Rydet Foundation and Raster Gallery

Five Photographers to Know at Photo London 2026

The strongest presentations at this year’s Photo London focus on photographers who documented the interiors and social realities of everyday life

Tom Seymour

An adult sits on a patterned couch in a room with red curtains, holding a child closely in an affectionate embrace.

Painting at the End of the World: Chornobyl and Artistic Exploitation

In the decades since the explosion of the Chornobyl Nuclear Power Plant, the disaster has become a cultural touchstone

Lewis Bush

Trevor Paglen to Curate Art Basel’s Zero 10 in Basel This June

The artist will co-curate the section dedicated to ‘art of the digital era’, alongside Eli Scheinman

The Art Journal

Somalia’s Venice Biennale Pavilion Accused of Excluding Local Artists

Artists and cultural organisations based in Somalia say the country’s pavilion does not reflect the realities of the country’s cultural sector

The Art Journal

A crowd of people gathers outside the entrance of the India Art Fair, watching a performance artist wearing a large, textured headpiece and traditional white draped clothing.

New Delhi’s Art Market: A Turn, or Return, to Opulence?

The city's real-estate boom reflects an awkward dance between the government, corporates and the arts in the capital

Kai Jabir Friese

Help! I Hate... Networking

The Art Journal's resident artworld Agony Aunt Charlotte Jansen answers your questions about access, gatekeeping and sticky social problems

Charlotte Jansen

Police guarding the Israeli Pavilion during the 2026 Venice Biennale. The main Israeli pavilion in the Giardini was closed for renovation, with the 2026 Israeli pavilion being located in the Arsenale.

Artists Withdraw From Venice Biennale Awards as Protests Over Israel and Russia Intensify

More than 50 artists in the main exhibition and participants from national pavilions have declined consideration for this year’s ‘Visitor Lion’ prizes amid widening disputes over the inclusion of Israel and Russia

The Art Journal

A man wearing a black beanie and dark hoodie stands smiling in front of several carved wooden sculptures displayed in a gallery space.

Kader Attia to Curate the Seventh Kochi-Muziris Biennale

Kader Attia will curate the seventh edition of the Kochi-Muziris Biennale, which will open in December 2027

The Art Journal

The report found evidence of fine art stored in a bathroom (left) and tribal files and artefacts stored in basement that are at flooding risk (right)

More than 12,000 US museums say ageing buildings threaten collections

A federal report finds widespread deferred maintenance across the US museum sector, with institutions citing rising repair costs, accessibility barriers and limited public funding for infrastructure.

The Art Journal