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Diego on My Mind (1943), by Frida Kahlo, (detail), courtesy the National Institute of Fine Arts and Literature, Mexico

Who Actually Owns Frida Kahlo?

The Long Read: As Mexico prepares to send ten nationally protected Kahlo paintings to Spain, campaigners, bankers, politicians and museum officials are locked in a battle over who controls the country's cultural heritage

Stephanie Brady Cummings
Kyiv’s 11th-century Dormition Cathedral was hit by a drone last month.

How Many More Museums Before ICOM Expels Russia?

More than 500 Ukrainian cultural sites have been damaged since Russia's full-scale invasion. Campaigners say the International Council of Museums must decide whether it will enforce its own code of ethics

George Nelson
Washington. Stream, from the John Gerrard series Endling, shown at Pace's New York gallery in 2022

Pace Didn't Break the Mega Gallery Model. It Broke Itself

Marc Glimcher says the mega-gallery system is "unfixable". But artist testimony and Pace's own accounts point to a crisis rooted less in the art market than in the gallery leadership's own decisions. For Messy Business, Jeni Fulton reports

Jeni Fulton
Nabatele. A Synagogue Over Venice, 2026, Anna Kamyshan

A Synagogue Floating Above Venice

Following the many controversies of the Biennale’s opening, are we in for more of the same? That isn’t the intention, says artist Anna Kamyshan

George Nelson
A person sits at an easel in a spacious art studio, painting a large canvas surrounded by brushes, artwork, and creative supplies.

Help! I Hate... My Collector

A gallerist struggles to balance their collector’s aesthetic desires and guard their artist’s creative boundaries. Charlotte Jansen advises

Charlotte Jansen
Lisette May Monroe, Neighbours, Collage, (2022)

What Happened to the Glasgow Art Market?

Glasgow has built an international reputation without relying on collectors or commercial galleries. As artists face rising rents and dwindling public support, that enviable model is coming under serious strain

Shalmali Shetty