Results

The Artist: Gabrielle Goliath Refuses to Stay Silent
Elegy’s forthcoming presentation at Venice’s Chiesa di Sant’Antonin challenges a culture of censorship
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Artsy-Artnet Merger Sees Key Staffers Cut Loose. Was the Writing on the Wall?
A sweeping restructure and significant cuts to the editorial team have sent shockwaves through the art world

Notes from Kampala’s Fugitive Art Economy
For Uganda's artists, precarity is generative rather than a condition to overcome, writes Nantume Violet

Everybody Out! Striking at the Heart of the Artworld
A century since the 1926 United Kingdom general strike, threatening to withdraw their labour has had mixed results for artists

Introducing The Art Journal
Welcome to The Art Journal, a new, independent art market publication from Meta Media Group, edited by Tom Seymour

How Hurvin Anderson Conquered the Art Market
The Birmingham-born artist’s retrospective at Tate Britain confirms his place as one of Britain’s leading – and most expensive – painters

The Collector: Nicole Saikalis Bay Has a Global Vision for Milan’s Art Scene
The architect and patron has grown a personal collection into an arts foundation that extends her global outlook to the Milanese cultural scene

Irving Penn: The Fashion Photographer Who Became an Artist
Gagosian’s Joshua Chuang marks the moment Irving Penn’s photography turned from reproduction to object

The Collector: Marinko Sudac Champions the Legacy of Europe's Avant-Garde
The Croatian art collector on acquiring art as an intellectual exercise, his most controversial work and why 'neutral' collections cannot exist

Lost in Translation
In her second dispatch, Gabriella Angeleti asks whether curatorial spectacle has been replaced by hollow, grandiose language

The New Museum: Back to the Future
The New York institution's director talks about the promise of tomorrow, getting past the ‘stupor’ of the masterpiece and rethinking the art museum

Do Only Women Get to Suffer in Public?
Across contemporary art, depictions of cancer are strikingly gendered. Why does male suffering still struggle to be seen?
