Results for:
Gabriella Angeleti
The Forgotten Manifesto that Reshaped Native Performance Art
Rediscovered decades after it was written in 1969, 'Indian Theatre' reveals how performance became a vehicle for Native self-determination
Art in a Gilded Peak: the Aspen Festival for the One Percent
At the second edition of the Aspen Art Museum’s AIR festival, ambitious performances and pointed critiques of class and inequality unfolded to a select audience of extraordinary wealth
On Charles Ross’s Star Axis and Entering the Earth to Reach the Stars
After decades of myth and mystery, a monumental celestial observatory is finally nearing completion – but who will actually see it?
The Five Trippiest Shows to See in New York Right Now
From Kim Gordon to dinosaurs and AI in MoMA’s sculpture garden, the trippiest exhibitions on view from across the five boroughs
Did You Know There is a Sol LeWitt in the ICE Building?
From a 1970s federal vision of civic art to Trump's America, a monumental Sol LeWitt in Manhattan's de facto immigration headquarters reveals how political change can rewrite an artwork's meaning
The Third Space Versus the Feed
Gabriella Angeleti reports on AI, Ansel Adams, Trevor Paglen and a new photography centre as images increasingly leave the real world
Rest in Peace, Jerry Gogosian
Hilde Lynn Helphenstein became one of the most influential voices in the art world, yet her death exposes the costs of public life online
New York Fair Week, a “Feast During a Plague”
Burnt out gallerists, branding exercises and whispered Venice scandals ended with foraged soup and guided meditation at Storm King Art Center — a fitting coda to a New York circuit oscillating between exhaustion, commerce and genuine encounters with art
Notes from Reno
In her third column, Gabriella Angeleti reports from the desert – where she visits the Nevada Museum of Art’s triennial Art + Environment Summit
Introducing The Art Journal
Welcome to The Art Journal, a new, independent art market publication from Meta Media Group, edited by Tom Seymour
Lost in Translation
In her second dispatch, Gabriella Angeleti asks whether curatorial spectacle has been replaced by hollow, grandiose language
Champagne Socialism at the Whitney Art Party
In the first dispatch from a new column on the New York art scene, the politics of socialism, Gaza and art-world patronage collide on the dancefloor at the Whitney’s champagne-soaked fundraiser.
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