In a restored medieval church in Arles, the French artist has created a foundation to house his work, archive and artistic relationships – and to shape what survives him

Artworld Agony Aunt Charlotte Jansen answers a gallery employee whose boss is getting a little too comfortable in the office

Joannou, the eighty-six-year-old founder of the Athens-based DESTE Foundation for Contemporary Art, has been active in the Greek contemporary art scene since the 1980s. He tells George Nelson what’s changed and what’s happening now

The artist developed a body of work recognisable for its obsession with repetition

Thirty-seven galleries, sixteen countries, €3,500 a booth and twelve prizes: for Messy Business, Jeni Fulton considers what Art-o-rama’s twentieth edition says about where the French market has gone

Following accusations of censorship, the participation of Taiwanese artists will now be named the Taiwan Pavilion rather than the ‘NTMoFA Pavilion’

Following the lives of two cousins growing up in the Argentine countryside, first through photography and now with a prize-winning feature film, Alessandra Sanguinetti captures childhood between documentary and fairytale

The fourth edition of the biennial will explore the ‘Unknowns’, and will take place from June to September 2027

Gerhard Steidl’s financial difficulties prompted predictions of a wider collapse in art-book publishing. Interviews with publishers, editors and collectors suggest a different picture: not an industry in decline, but one undergoing a profound economic transformation

The Office for Budget Responsibility (OBR) scrutinises the UK’s public finances independently. Should culture and the creative industries have something similar – an OBR capable of looking beyond the immediate political horizon?

Artworld Agony Aunt Charlotte Jansen answers a staffer whose gallery has been busy with some dodgy deals

The Taiwanese participants as well as Taiwan’s Ministry of Culture have called the naming change an act of ‘political censorship’