Opinion

In her second dispatch for Private Vie, Gabriella Angeleti asks whether curatorial spectacle has been replaced by hollow, grandiose language

In the first dispatch from Private Views, a new column on the New York art scene, the politics of socialism, Gaza and art-world patronage collide on the dancefloor at the Whitney’s booze-soaked fundraiser

Fifty years after the dictator’s death, Spain’s artists and museums are confronting a legacy that refuses to stay in the past